Elly Brose-Eiermann

 
 

Elly Brose-Eiermann

 
 

After dissolving my gallery, my husband and I moved into one of the beautiful, spacious old flats the likes of which can still be found in Dresden’s so-called Prussian quarter. The beginnings of my art collection reach back as far as the early 1980s, when I worked for the Mannheimer Kunstverein, and I kept adding to it right unto the present day. Here, at our newly created home, the individual pieces can play out to their full potential. The ‚salon' is a place where I like to rearrange frequently in order to present new material.
Grit Dörre‘s shots capture my love for drawings and abstract painting as well as architecture-related sculpture especially well.
My new website will keep you up to date about the latest activities of “my” artists and the newly founded Büro für Kunst.

Elly Brose-Eiermann

Table by Stefan Nestler; lithograph: ‘Mara’ by Walter Stöhrer, 1972; cardboard cutout: ‘Form A’ by Scheibl/Stangl, 1985

Elly Brose-Eiermann

Sculpture: ‘Happy Ever After’ by Matthew Houlding, 2004
   

Elly Brose-Eiermann

lamdaprint on ACP: Igor Eskinja, ‘Made Inside’, 2006
Christian Schönwälder ‘Kopfstütze’ (Head Rest), 2005

Elly Brose-Eiermann

Ulrich Diekmann ’Flechtbild' (Woven Painting), 1995
 

Elly Brose-Eiermann

Igor Eskinja ‚Made Inside’, 2006
 

Elly Brose-Eiermann

Painting: ‘Oberfläche’ (Surface) by Sophia Schama, 2002;
two objects: ‘Schalter’ (Switch) 2001, and ‘Phallikapitelli’ 2002, both by Christoph Rodde            

Elly Brose-Eiermann

Lamp object: ‘Pinkung’ by Christoph Rodde, 2012
 
 

Elly Brose-Eiermann

Wire object from the series ‘Themisfamily’ 2006–08 by Brigitte Schwacke; artist’s book ‘L’autre coté du découpage’ by Christoph Rodde, 2009

Elly Brose-Eiermann

Objects and drawings by different artists
 

Elly Brose-Eiermann

Objects by Dirk Heerklotz, 2002
(diploma exhibition, buero für kunst)

Elly Brose-Eiermann

Object by Christoph Rodde, 2005
 

Elly Brose-Eiermann

Iron object: ‘Genaue Beschreibung von Zusammenhängen’ (Exact Description of Relations) by Ursula Sax, 1992;
background: armchair: ‘Wink’ by Toshiyuki Kita

Elly Brose-Eiermann

Terracotta object: ‘Überzwerch’ by Ursula Sax, 1994
 
 

Elly Brose-Eiermann

‘o. T.’ (untitled) by Sophia Schama, 2013, oil on canvas;
‘Mirage’ by Rao Fu, 2013, coal and ink on paper
 

Elly Brose-Eiermann

Painting: ‘Arlanda’ by Matthias Reinmuth, 2006
 

Elly Brose-Eiermann

Object: ‘Balance’ by Hubertus von der Goltz, 2004
 

Elly Brose-Eiermann

Object: ‘Endless Blue Skies and Sunny Filled Days’ by Matthew Houlding, 2004
 
 

Elly Brose-Eiermann

Object: ‘For the moment, however, there were other things to think about’ by Matthew Houlding, 2007;
painting: ‘White Noise’ by Sophia Schama, 1999

Elly Brose-Eiermann

Drawing ‘Vielleicht gibt es ja einen sichereren Weg’ (Perhaps There Is a Safer Way) by Dirk Heerklotz, 2010
 

Elly Brose-Eiermann

Print: ‘I AM NOT NICE’ by Tim Ayres, 1999; drawing: ‘Hund, den Mond anbellend’ (Dog Barking at the Moon) by Anne Kern, 2013; drawing ‘o.T. (untitled) 2004 by Linda McCue

Elly Brose-Eiermann

Elly in the coat from the series ‘Körperskulptur’ (Body Sculpture) by Ursula Sax, 2000